... In the work of Sanda Majurec, the sonority and the form become almost physical: sounds behave like objects in that they bend and warp, fragment and often implode within the form. They appear like objects affected by an external force, but the dynamics of their interaction also acts as a trigger of formal processes.
The result is a multilayer weaving of sounds, comparable to strings intertwining, layering or separating, generating musical dramaturgy in which the individual sound objects and macro-forms constantly refer to each other.
The interaction between physical presence of sound as an object and its meaning and function in the formal context of a higher order is what gives clarity and plasticity to the pieces at the level of structure and form. ...
(Tomislav Oliver)
Croatian Composers' Society, Cantus Ltd, 2018.
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