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Očić, Ljerka:
Croatian Organ Music III
207
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An invaluable contribution made by Professor Ladislav Šaban in organological research encompasses documents listing some eight hundred organs in Croatia - about six hundred of them were found in the continental regions of the country and about two hundred in the coastal areas. The condition of the instruments found varied considerably, but what comes as a surprise is their number, the quality of sound and a diversity of visual presentation. ...
The Croatian organ-playing heritage can thus be perceived within a context of the continental central European and Mediterranean cultures with each of them leaving distinctive marks on Croatian music.
A strong and stable bond has been formed between the organ and temples. The organ has thus become immanently sacred, a semiotic instrument of religion, an instrument which, over the course of history, has been deeply rooted and woven into the underlying reflections on spirituality nurtured by mankind, translating them into the universal language of music.
Cantus d.o.o., 2009.
989 052 0801 2
Preslušavanje
singlova
Tomaso Cecchini
Hor mai
Lidija Horvat-Dunjko, soprano | Ljerka Očić, organ
Tomaso Cecchini
Sospirava Maria
Lidija Horvat-Dunjko, soprano | Ljerka Očić, organ
Anonymous - Croatia, 18th century
Sonata in G major
Stanko Arnold, piccolo trumpet | Ljerka Očić, organ
Ivan pl. Zajc
Offertorium pastorale
Lidija Horvat-Dunjko, soprano | Helena Lucić, mezzo-soprano | Ljerka Očić, organ
Tomislav Uhlik
Pro bono
Jelena Očić-Flaksman, violoncello | Ljerka Očić, organ
Davor Bobić
Resurrection
Ljerka Očić, Srećko Bradić, organ
Miljenko Prohaska
Prelude for Jelena and Ljerka
Jelena Očić-Flaksman, violoncello | Ljerka Očić, organ
Miljenko Prohaska
Variations on the Pathelin Theme
Ljerka Očić , organ | Mladen Janjanin, piano | Elvira Happ, marimba | Dragan Sremec, saxophone | Danijel Martinović, bass clarinet | Miljenko Prohaska, electric upright bass
Miljenko Prohaska
Epilogue
Jelena Očić-Flaksman, violoncello | Ljerka Očić, organ
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